26.Nakahara in Sagami Province Located in the middle of the Sagami Plain, Nakahara was the current city of Hiratsuka. The alley through the ukiyo-e print leads to Mt. Oyama which is visible in front of Mt. Fuji. Mt. Oyama was a place of Shinto and Buddhist consolation, attracted popularity among the common people to visit in the […]
Katsushika Hokusai’s artwork, ‘Nakahara in Sagami Province’ Read More »
25.Enoshima in Sagami Province Located in the distant view is Enoshima, and we can see the five-story pagoda at Ryukoji Temple in the forest of young leaves. In the low tide time zone, the worshipers for the temple are walking along the sandbar of the sea. The souvenir shops and the inns are on the shore. This
Mount Fuji art painting, ‘Enoshima in Sagami Province’ by Katsushika Hokusai Read More »
24.Shichiri beach in Sagami Province This woodblock print by Hokusai doesn’t have any person in the image and shows a pure landscape painting. It is a work of the first version drawn with only the shading of Prussian Blue. It expresses with only in one color the powerfulness of the summer. The sunlight, the reflecting sea level, and
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23.Hodogaya on the Tōkaidō One of the series Mt. Fuji print of “Thirty-Six Views of Mount Fuji“, Hodogaya on the Tōkaidō shows the state of the road in Edo Period. The mendicant Zen priest passes by, the person travels on the horse, the woman rides on the kago, and the palanquin bearers wipes sweat or ties his straw sandal. Mt. Fuji shows its appearance
Mt. Fuji art print, ‘Hodogaya on the Tōkaidō’ by Katsushika Hokusai Read More »
22.Tama River in Musashi Province In Edo Period, when the author of “Thirty-Six Views of Mount Fuji” Katsushika Hokusai (1760-1849) lives, there were the only two bridges on Tama River, the Rokugo Bridge (Oota-ku and Kawasaki-shi) and the Mannen Bridge (Okutama-cho and Ome-shi). Because of the military defense reasons, the Edo shogunate did not build
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20.Goten-yama-hill, Shinagawa on the Tōkaidō Goten-yama-hill at Shinagawa was famous for the beautiful cherry blossoms in the Edo period. Utagawa Hiroshige (1797-1858) made a lot of ukiyo-e about cherry blossom, but Katsushika Hokusai (1760-1849) drew just one work in the series of “Thirty-Six Views of Mount Fuji“. Not only the pale pink of the blossoms attract
‘Goten-yama-hill, Shinagawa on the Tōkaidō’ painting by Katsushika Hokusai Read More »
17.The Kazusa Province Sea Route Katsushika Hokusai (1760-1849) used the Prussian blue pigment also for the ukiyo-e art effectively. This woodblock printing seems to be drawn from the view point of Uraga Channel in the Kazusa Province (today’s Chiba Prefecture). On the Boso Peninsula, there were many harbors including, Kemigawa Harbor, Kisarazu Harbor, and Yawata-ura. We can see the
Mt. Fuji art print, ‘The Kazusa Province Sea Route’ by Katsushika Hokusai Read More »
15.Pleasure District at Senju It is the ukiyo-e woodblock print, one of the “Thirty-Six Views of Mount Fuji“, depicting the scenery along the Nikko Highway. The row of people in the front is the daimyo’s procession, they are on the way to their home. They hold the firearms and spears in the scarlet bags. The houses of Senju pleasure district
Katsushika Hokusai’s landscape ukiyo-e art, ‘Pleasure District at Senju’ Read More »
14.Senju, Musashi Province Senju was the first post town on the highways of Nikko-dochu and Oshu-dochu, prospering as one of the four major postal station in Edo. The farmer with the horse and the angler hand over the shade and look up to Mt. Fuji. at the same time. They may be talking something about the view
Landscape ukiyo-e, ‘Senju, Musashi Province’ by Katsushika Hokusai Read More »
13.Sekiya Village on the Sumida River The Japanese woodblock print is one of the series of “Thirty-Six Views of Mount Fuji” by Katsushika Hokusai (1760-1849). Sekiya was the area around Senju dry riverbed on the Sumida River. The winding road that three samurai riding on the horsebacks was the Ushida bank. The mustle of the horses
Landscape ukiyo-e, Sekiya Village on the Sumida River by Katsushika Hokusai Read More »
